Let us know your opinion on round vs flat characters!
“I am not an angel,” I asserted; “and I will not be one till I die: I will be myself.”
Every fictional character in the writing world falls into two categories: round and flat. Flat and round characters each occupy different roles in books, and knowing the differences between the two can help guide your writing skills going forward.
Generally, round characters are multi-layered, nuanced individuals with highly developed personalities. Flat characters fit an archetype and rarely develop throughout a season. Both types of characters can help make a story more compelling for readers if used well. Join us at What We Reading as we explore round vs flat characters, and provide the differences and examples needed to help you hone your writing skills!
Round characters are individuals who have all the complex emotions and personalities most of us in the real world hold. Their depth and complexities are apparent throughout, and they usually go through a series of developments as the plot unfolds.
Writing a compelling and believable round character is something every writer needs to know how to do. To make your round characters more nuanced, consider including some of the following:
Naturally, not every character needs all of these traits to be classed as ‘round’ in a book. Nevertheless, many of them crossover with one another.
Round characters are usually reserved for a book’s protagonist, antagonist and any major characters who feature in multiple scenes across a story. Some examples of round characters that embody the majority of these traits include the following:
Jane Eyre is a resilient and headstrong woman living in 19th-century England. Charlotte Bronte’s book follows Jane from her abusive upbringing to an independent life of her choosing. Her sense of justice is quite a contradiction to the culture of her time. She regularly runs into conflict both internally and externally with others, and her desires for independence and connection directly compete against one another.
Professor Severus Snape is introduced to readers as a major villain in the making. He is cold and distrustful towards Harry, and several hints are thrown in the reader’s direction to make them think he is always scheming something. However, as readers learn more about Snape’s complexities and inner conflict, they discover his true allegiance and the extent of his complexity as a character.
Check Out Our Guide To Character Tropes
Unlike round characters, flat characters are not complex. They often drift into a stereotypical role or personality and lack the nuance and depth of a protagonist, antagonist or main character.
They don’t have much of a personality, go through very little development and usually only exist to drive the plot forward.
That doesn’t mean that these characters are any less important to your book than your round characters, however. As well as providing a purpose for the plot, they can assist in the development of your round characters and fulfil other archetypes that round characters are too complex for. Other characteristics that define flat characters include:
It’s important to note the difference between flat and static characters. Static characters also don’t tend to develop much throughout a story, but they come with more complex and layered personalities compared to flat characters. An example of a static character in demonstrating the difference between these individuals and flat characters would be Dumbledore in Harry Potter – enigmatic and with a backstory, but not someone who changes their role or personality throughout the series.
Check Out How To Fix Your Flat Characters
Whilst the majority of flat characters exist only to be driven by the plot and help push the story forward, they can also be major players in their own right. Some examples of flat characters in the literary world include the likes of:
Nick Bottom only ever appears with other characters in Shakespeare’s A Midsummer Night’s Dream, and his actions are entirely plot-driven. He exists only as comic relief for the audience and mirrors other Shakespearean characters designed to appeal to those across the social strata.
Hercule Poirot is the most famous protagonist from Agatha Christie’s books. Everything from his voice and his appearance to his goals are replicated from story to story, giving the readers a sense of familiarity every time he appears. Veteran fans of Christie’s works begin to identify how Poirot works, he exists to drive the plot forward by identifying the culprit, and his mannerisms have become the archetype for the crime-mystery genre.
Part-time reader, part-time rambler, and full-time Horror enthusiast, James has been writing for What We Reading since 2022. His earliest reading memories involved Historical Fiction, Fantasy and Horror tales, which he has continued to take with him to this day. James’ favourite books include The Last (Hanna Jameson), The Troop (Nick Cutter) and Chasing The Boogeyman (Richard Chizmar).
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