Let us know which dark books about characters spiralling we missed
“What I’m really scared of is believing the words society makes me speak are my own.”
Some of the most memorable novels aren’t about heroes who overcome all the odds – they’re about the characters who slowly lose control. Whether it’s an all-consuming obsession, a devastating mental breakdown, or a series of increasingly self-destructive choices, there’s just something deliciously fascinating about watching a protagonist unravel on the page. If you’re searching for books where the main character spirals, this list is filled with unforgettable stories brimming with psychological decline, toxic relationships, grief, ambition, and moral collapse. These books about obsession and descent into madness span literary fiction, psychological thrillers, and contemporary novels, each offering a compelling character study of someone pushed to their limits. From MCs whose grip on reality starts slipping to protagonists whose actions lead them down a dark path, these stories explore what happens when people can’t stop themselves from falling apart.
Kicking off our list of books where the main character spirals is Sylvia Plath’s iconic feminist classic, The Bell Jar. The book chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under – maybe for the last time. Sylvia Plath masterfully draws the reader into Esther’s breakdown with such intensity that Esther’s insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies.
Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment, and has made The Bell Jar one of the most haunting American classics of all time.
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Lillian and Henry have been enjoying each other’s company. Even though Lillian’s best friend calls it a “situationship,” Lillian is determined to lock Henry down – and she has a plan. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup, Lillian exacts revenge by performing a drunken hex on him.
Lillian expects Henry to come crawling back to her. What she doesn’t expect is becoming a prime suspect in his murder case when he turns up dead. As Lillian grapples with the loss of her sort-of boyfriend, she is thrown into a pursuit of the truth that will throw her into a dangerous tailspin. A deliciously addictive novel that explores our darkest, most human impulses, A Good Person is one of the best picks if you’re looking for a read all about obsession and self-destruction.
Authors Juniper Hayward and Athena Liu were meant to be twin rising stars. But Athena is a literary darling while June is a nobody. So when June witnesses Athena’s death in a freak accident, she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese labourers during the First World War. So what if June edits Athena’s novel and sends it to her agent as her own work?
But June cannot escape Athena’s shadow, and emerging evidence threatens her stolen success. As she races to protect her secret, she discovers just how far she’s prepared to go to keep what she thinks she deserves.
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Before the nightmare began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams – invasive images of blood and brutality – torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets in motion an increasingly grotesque chain of events at home.
As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that has become so sacred to her. Soon their attempts turn desperate, subjecting first her mind and then her body to ever more intrusive and perverse violations, sending Yeong-hye spiralling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
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Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan, paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Ottessa Moshfegh shows us how reasonable, even necessary, alienation can be.
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Summer is coming to an end on the East End of Long Island, and Alex is no longer welcome. A misstep at a dinner party, and the older man she’s been staying with dismisses her with a ride to the train station and a ticket back to the city. With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts through the hedged lanes, gated driveways, and sun-blasted dunes of a rarified world that is, at first, closed to her.
Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cypher leaving destruction in her wake. Taut, propulsive, and impossible to look away from, this is one of the best books if you’re looking for a main character to start spiralling.
This novel is about a woman called Martha. She knows there is something wrong with her, but she doesn’t know what it is. Her husband, Patrick, thinks she is fine. He says everyone has something; the thing is to just keep going. Martha told Patrick before they were married that she didn’t want children. He said he didn’t mind either way.
By the time Martha finds out something is wrong, it doesn’t really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing – if you can find something else to want.
Remy and Alicia, a couple of insecure service workers, are not especially happy together – but they are bonded by their shared obsession with Jen, a beautiful former co-worker of Remy’s who now seems to be following her bliss as a globe-trotting jewellery designer. In and outside the bedroom, Remy and Alicia’s whole relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and New Age mantra they know by heart.
Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her affluent boyfriend and their group. Once there, Remy and Alicia try to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beach-side paradise, threatening to erupt. As small disturbances morph into outright horror, Remy and Alicia tumble into an uncanny alternate reality, one shaped by the most intoxicating fantasies.
Olive is desperate to get close to Theo – really, really close. She’s always struggled with people. And now she’s in her thirties, single, and so flustered by relationships that she secretly records her conversations, hoping to decipher social clues and find a way to be less alone.
Then Theo turns up for a shift at the same food pantry where she volunteers. He’s a surgeon fascinated by human organs, a former soccer player, and possibly as weird as Olive. For the first time, someone appears to crave and understand her. Every recording Olive makes of Theo is a balm, which makes her more afraid of losing him. The only solution appears to be binding him to her forever. Luckily, the gap between Theo’s front teeth is just wide enough for something – or someone – to slip inside.
Irinia obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol, and extreme cinema.
The news triggers a self-destructive tailspin, centred around Irina’s relationship around Irina’s relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention. Boy Parts is one of the best books where the main character spirals, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.
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It’s 1974, and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be married to Drew. But Celia’s contentment with her little life is shattered when a woman she knows is murdered in a love tryst gone awry. What would it be like, Celia wonders, to die – or kill – for love? Before Celia knows it, her musings about love and death happenings are bleeding into daily life.
It’s all pretend, though, until the night comes when Celia finally goes too far, and she and Drew are set on a deadly collision course. Exhilarating, surreal, and bitingly clever, Evil Genius is a comic noir about obsession and desire – and what happens when a sweetly seditious young woman dares to imagine a better life for herself.
Food critic Dorothy Daniels loves what she does. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner who can keep up with her, she makes the most of her single life, frequently travelling from Manhattan to Italy for a taste of both. But there is something within Dorothy that’s different from everyone else. Having suppressed it for long enough, she begins to embrace what makes Dorothy uniquely, terrifyingly herself.
Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man’s neck on Fire Island, Dorothy Daniels shows us what happens when a woman finally embraces her superiority.
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Set at an affluent liberal arts college during the height of the Reagan eighties, The Rules of Attraction follows a handful of rowdy, sexually promiscuous students with no plans for the future – or even the present. Three of them – Sean, Paul, and Lauren – become involved in a love triangle of sorts within a sequence of drug runs, “Dressed to Get Screwed” parties, and “End of the World” gatherings.
As Bret Easton Ellis trains his incisive gaze on the kids at the self-consciously bohemian Camden College, treating their sexual posturing and agonies with a mixture of acrid hilarity and compassion, he exposes the moral vacuum at the centre of their lives.
Check Out Our The Rules Of Attraction Book Review
Natsuki isn’t like other girls. She has a wand and a transformation mirror. She might be a witch or an alien from another planet. Together with her cousin, Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what.
Now Natsuki has grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki’s family are increasing, her friends wonder why she’s still not pregnant, and dark shadows from Natsuki’s childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself for a reunion with Yuu. Will he still remember their promise? And will he help her keep it?
Retail worker Emmett Truesdale has never fit in the Southern California mould of six-pack, suntanned masculinity. Over three hundred pounds, he carries the weight of his childhood trauma and millennial ennui around his waist and in his soul. After trying every diet under the sun, he enrols in a clinical trial for a new weight loss product called Obexity. The treatment is as horrible as the results are miraculous, and as Emmett sheds the pounds, every part of his life improves.
Unfortunately, Obexity comes with some killer side effects, including lost stretches of time and overwhelming cravings. Worse, people who were cruel to him have begun disappearing, and when the police warn of a cannibalistic killer on the loose, Emmett fears Obexity is turning him into a monster. But how can he give it up now that people are finally beginning to treat him as a human?
Part-time reader, part-time rambler, and full-time Horror enthusiast, James has been writing for What We Reading since 2022. His earliest reading memories involved Historical Fiction, Fantasy and Horror tales, which he has continued to take with him to this day. James’ favourite books include The Last (Hanna Jameson), The Troop (Nick Cutter) and Chasing The Boogeyman (Richard Chizmar).
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