Let us know what books about identity we missed
“She hadn’t realised how long it takes to become somebody else, or how lonely it can be living in a world not meant for you.”
Every book we open holds a mirror; however, some force us to examine parts of ourselves we rarely ever question. Whether sparked by a sudden life transition, a hidden past revealed, or the quiet realisation that you no longer fit into your own life, the struggle to define who you are is a poignant, universal human experience. Both fiction and memoirs have attempted to explore this internal friction. Through compelling narratives, authors capture the disorienting feeling of losing one’s footing – and the ultimate journey towards self-discovery. From modern psychological dramas to timeless literary classics, stories centred around identity crisis push characters to the brink, raising huge questions about purpose, belonging, and choice. If you’re looking for your next read that resonates with your own self, or just want a thought-provoking tale, join us for the best books about identity crisis.
First up on our list of books about identity crisis is Brit Bennett’s acclaimed global bestseller, The Vanishing Half. The Vignes sisters will always be identical. But after growing up together in a small, southern black community and running away at sixteen, everything about their adult lives is different, including their racial identities. Still, although separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen when their own daughters’ story lines intersect?
Weaving together multiple strands and generations, from the Deep South to California, from the 1950s to the 1990s, The Vanishing Half is at once a riveting, emotional family story and a brilliant exploration of race, gender, and identity, and the lasting influence of the past as it shapes a person’s desires and expectations.
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When Nora Seed finds herself in the Midnight Library, she has a chance to make things right. Up until now, her life has been full of misery and regret. She feels she has let everyone down, including herself. But things are about to change.
The books in the Midnight Library allow Nora to live as if she had done things differently. With the help of an old friend, she can now undo every one of her regrets as she tries to work out her perfect life. Yet things aren’t always what she imagined they’d be, and soon her choices place the library and herself in extreme danger. Before time runs out, she must answer the ultimate question: what is the best way to live?
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Jhumpa Lahiri’s The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged wedding, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. Ashoke adapts far less wearily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named after a Russian writer in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name.
Lahiri brings great empathy to Gogol as he stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs. With penetrating insight, she reveals not only the defining power of the names and expectations bestowed upon us by our parents, but also the means by which we slowly, sometimes painfully, come to define ourselves.
Before the nightmares began, Yeong-hye and her husband lived ordinary, controlled lives. But the dreams – invasive images of blood and brutality – torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home.
As her husband, brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that has become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiralling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
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As he journeys from the Deep South to the streets and basements of Harlem, from a horrifying “battle royal” where black men are reduced to fighting animals, to a Communist rally where they are elevated to the status of trophies, Ralph Ellison’s nameless narrator in his 1952 classic Invisible Man ushers readers into a parallel universe that throws our own into harsh and even hilarious relief.
Suspenseful and sardonic, narrated in a voice that takes in the symphonic range of the American language, black and white, Invisible Man is one of the most audacious books about identity, and remains one of the most dazzling novels of the twentieth century.
By chance, John and Jean – one English, the other French – meet in a provincial railway station. Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking – until at last John falls into a drunken stupor. It’s to be his last carefree moment, for when he wakes, Jean has stolen his identity and vanished.
So the Englishman steps into the Frenchman’s shoes, and faces a variety of perplexing roles – as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing. Gripping and complex, The Scapegoat is a masterful depiction of doubling and identity, and the dark side of the self.
At school, Connell and Marianne pretend not to know one another. He’s popular and well-adjusted, while she is lonely, proud, and intensely private. Yet there is a strange and indelible connection between the two teenagers – one they are determined to conceal.
A year on, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs on the sides, shy and uncertain. Throughout their years in college, Marianne and Connell circle each other, straying toward other people and possibilities, but always drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.
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Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and embracing the opportunities won by a centuries-long struggle.
Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born – and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity.
Ocean Vuong’s revered memoir is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another, without forsaking who we are.
Psychiatrist Viktor Frankl’s memoir has riveted generations of readers with its descriptions of life in Nazi death camps and its lessons for spiritual survival. Based on his own experiences and the stories of his patients, Frankl argues we cannot avoid suffering, but we can choose how to cope with it, find meaning in it, and move forward with renewed purpose.
At the heart of his theory, known as logotherapy, is a conviction that the primary human drive is not pleasure but the pursuit of what we find meaningful. Man’s Search for Meaning has become one of the most influential memoirs of the twentieth century, and continues to inspire us all to find significance in the very act of living.
Served with humour and heart, Michelle Zauner tells the story of growing up as the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of painful adolescence; of treasured months spent in her grandmother’s apartment in Seoul, where she and her mother would bond over heaping plates of food. As she grew up, her Koreanness began to feel ever more distant, even as she found the life she wanted to live.
It was her mother’s diagnosis of terminal pancreatic cancer when Michelle was twenty-five that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
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Part-time reader, part-time rambler, and full-time Horror enthusiast, James has been writing for What We Reading since 2022. His earliest reading memories involved Historical Fiction, Fantasy and Horror tales, which he has continued to take with him to this day. James’ favourite books include The Last (Hanna Jameson), The Troop (Nick Cutter) and Chasing The Boogeyman (Richard Chizmar).
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