Let us know which books about alienation we missed!
“I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
There are few feelings more unsettling than being surrounded by people and still feeling alone. Alienation and disconnection are some of literature’s most enduring themes, whether they stem from loneliness, grief, isolation, social expectations, or the disturbing feeling that you just don’t belong. Some characters withdraw from the world around them, while others desperately hunt for a connection that seems out of reach. The best books about alienation don’t just depict lonely characters. They explore what happens when our relationships with other people, society, or even ourselves start to break down. From existential classics to contemporary novels about loneliness and isolation, these books offer a fascinating and often uncomfortable glimpse into what it means to be disconnected from the world. So, if you’re looking for a read that captures the eerie sensation of being totally alone in a crowded room, here are our favourite books about alienation and disconnection.
Kicking off our list of the best books about alienation and disconnection is one of the most infamous novels centred around the absurdity of existence, the uncaring nature of the universe, and society’s expectations for us to conform. Through the story of an ordinary man unwittingly drawn into a senseless murder on a sun-drenched Algerian beach, Camus explores what he termed “the nakedness of man faced with the absurd,” helping cement this as one of the absolute go-tos for books about existentialism.
In 1864, just prior to the years in which he wrote his greatest novels such as Crime and Punishment, The Idiot or The Brothers Karamazov, Fyodor Dostoevsky penned the darkly fascinating Notes from Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes.
Moreover, the novel introduces themes – moral, religious, political, and social – that dominated Dostoevsky’s later works. From his self-imposed isolation, the Underground Man is one of the best narrators for delving into themes of the psychology of alienation, the rejection of rationalism, and the paradox of free will.
From its startling, bizarre, yet surprisingly funny first opening, Franz Kafka’s The Metamorphosis establishes itself as one of the most memorable and enduring books about alienation and disconnection.
The Metamorphosis tells the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing – though absurdly comic – meditation on human feelings of inadequacy, guilt, and isolation, Kafka’s classic remains a staple as one of the most influential works of the twentieth century.
Iconic and haunting, The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented and successful, but slowly going under – maybe for the last time. Sylvia Plath masterfully draws the reader into Esther’s breakdown with such intensity that Esther’s insanity becomes totally real and even rational, as probable and accessible an experience as going to the movies.
Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a timeless American classic.
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Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her sizeable inheritance. But there is a dark and vacuous hole in her heart. It’s the year 2000 in a city awash with decadence and opportunity; what could be so terribly wrong?
My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be.
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Keiko has never fit in, neither in her family nor in school, but when, at the age of eighteen, she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction – many are laid out line by line in the store’s manual – and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently.
Keiko is very happy, but the people close to her increasingly pressure her to find a husband and to start a proper career, prompting her to take desperate action. Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures we all face to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.
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It is three in the morning when Bobby Western zips the jacket of his wetsuit and plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit.
Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.
First published to much acclaim in Germany, The Wall chronicles the life of the last surviving human on Earth, an ordinary middle-aged woman who awakens one morning to find that everyone else has disappeared.
Assuming her isolation to be the result of a military experiment gone awry, she begins the terrifying work of survival and self-renewal. This novel is at once a simple and moving tale and a disturbing meditation on humanity, perfect if you’re looking for your next book about alienation and disconnection.
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams – invasive images of blood and brutality – torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it upends her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, brother-in-law, and sister each fight to assert their control, Yeong-hye obsessively defends the choice that has become sacred to her.
Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiralling into a dangerous, bizarre estrangement not only from those closest to her, but also from herself. The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
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In the summer of 1956, Stevens, a long-serving butler at Darlington Hall, is encouraged by his employer to take a motoring trip through the West Country. The six-day excursion becomes a journey into the past of both Stevens and wider England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper. Through Stevens’ narration, we are treated to a deeply poignant, meditative and moving novel about alienation through its depiction of duty, detachment, repression, and identity.
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A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. His provocative presence provides the framework for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.
With its examination of the possibility that art can both save and destroy us, Rachel Cusk’s Second Place is a deeply affirming work of the human soul, while grappling with its darkest demons.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone calls with her mother. But everything changes when Eleanor meets Raymond, the bumbling IT guy from her office. When she and Raymond save Sammy, an elderly gentleman who has fallen over, the three become the kinds of friends who rescue one another from the lives of isolation they have been living.
And it is Raymond’s big heart that will ultimately help Eleanor find the way to repair her own profoundly damaged one. Eleanor Oliphant Is Completely Fine is a smart, warm, big-hearted story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey.
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It’s Christmas time, and Holden Caulfield has just been expelled from another school. Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister, Phoebe, the only person who truly understands him, and his determination to escape the phonies and find a life of true meaning.
The Catcher in the Rye is still an all-time classic in coming-of-age literature – an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind.
Part-time reader, part-time rambler, and full-time Horror enthusiast, James has been writing for What We Reading since 2022. His earliest reading memories involved Historical Fiction, Fantasy and Horror tales, which he has continued to take with him to this day. James’ favourite books include The Last (Hanna Jameson), The Troop (Nick Cutter) and Chasing The Boogeyman (Richard Chizmar).
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